![]() It's a fairly plain grid-based affair, but it's quite fiddly to use, compounded by the fact that the LFOs themselves aren't actually labelled numerically. Enter the matrix The four LFOs can each control the cutoff and resonance of the two filters, as well as volume and pan controls, and the routing for most of this is handled by the Modulation Matrix. In parallel mode, the two filters run alongside each other and you get individual volume and pan controls for each one - check out this filtered drum loop where we've used the same curve to modulate a LP filter panned left and an HP filter panned right: You can, of course, send different curves to each filter, if you like, or simply use one filter on its own. ![]() Check out dubstep bass example above again for an example of serial use - we employed a complex waveform to modulate the cutoff of filter 1 in 12dB LP mode for a standard wobbly bass, then sent that same waveform to filter 2 in 12dB peak mode to accentuate the sweep even more.
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